A pulpy mix of tongue-in-cheek humor, horror and tragedy, "Odd Thomas" is an odd bird, all right, off-beat enough that it is easy to see why a major studio didn't step up to give the film a wide release (instead, it went the Video-On-Demand route and briefly came to a handful of theaters with little promotional push behind it). Written and directed by Stephen Sommers (2009's "G.I. Joe: The Rise of Cobra"), adapted from the novel by Dean Koontz, the picture feels like the pilot for a television series—or, at least, like the introduction to a proposed new film franchise. Dialogue is on the nose and frequently stylized, a creative decision that takes some time getting used to. Once this hump is overcome, it is difficult not to get caught up in the story's twisty mystery and the sweet on-screen relationship between leads Anton Yelchin (2013's "Star Trek Into Darkness") and Addison Timlin (2014's "That Awkward Moment").

New Mexico town Pico Mundo is pretty on the outside, but holds a dank, dangerous underbelly. No one knows this more than Odd Thomas (Anton Yelchin), a young fry-cook with the ability to see dead people and the drive to bring them justice and set their restless souls free. When Odd sees shadowy harbingers of death called Bodachs latching invisibly onto people, it is a sure sign that disaster is preparing to strike. Never before, however, has he seen so many at once. With the countdown to a suspected cataclysmic event approaching, Odd and vivacious girlfriend Stormy Llewellyn (Addison Timlin) become embroiled in an investigation linking the shady Fungus Bob Robertson (Shuler Hensley) with a bowling league, the local mall where Stormy works, and Odd's nightmare-plagued waitress coworker Viola (Gugu Mbatha-Raw).

"Odd Thomas" is a little bit of "Medium," a little bit of "The Ghost Whisperer," and a little bit of "Buffy the Vampire Slayer" all rolled into one. Director Stephen Sommers' attempted jump scares are so predictably devised they hold no impact, but the film works much more confidently as a part-quirky, part-sudsy thriller. Anton Yelchin is a wonderful Odd, ingratiating and believable, while Addison Timlin is radiant as the sassy, soulful Stormy. Their fated lifelong love story is the best part of the movie, while ensemble support comes from Willem Dafoe (2013's "Out of the Furnace"), as fatherly police chief Wyatt Porter, and Gugu Mbatha-Raw (2011's "Larry Crowne"), as Viola. Even if "Off Thomas" would have likely had a more fruitful life on the small screen, it is still an enjoyably fast-paced way to spend 96 minutes—with a few additional surprises up its sleeve.